: With a budget of approximately $2.1 million, the film maintained high production standards, including detailed set designs and location shoots across London. Cinematic Style and Legacy
Rather than a traditional tragedy of infidelity, the film concludes that their love is "unbreakable" because it can withstand—and even be fueled by—these experiences. Production Highlights Discovery of Mayarchuk: In a characteristic move, Tinto Brass
Director Tinto Brass is known for his distinctive impressionistic style, characterized by his use of mirrors, that mimic the subjective gaze of an observer, immersing the audience in a world of voyeuristic fantasy. His camera is inseparable from his renowned "fetish for the female derrière"; Trasgredire is full of scenes framed to highlight the curves and contours of the actors' bodies. Critically, Brass films the female body not as an object to be conquered, but as a source of joyful, unapologetic power.
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Cheeky is a fascinating watch because it occupies a space between pornography and high art. It lacks the "money shots" of the former and the narrative depth of the latter. It exists in a limbo of pure fetishism.
The Italian title Tra(sgre)dire is a clever pun on trasgredire (to transgress) and tradire (to betray).
The story follows Carla, a young woman from Venice portrayed by Yuliya Mayarchuk. Carla travels to London to arrange a new living situation for herself and her partner, Matteo. The separation provides Carla with a sense of autonomy, leading her to interact with new acquaintances, such as the confident Moira. : With a budget of approximately $2
The Italian film industry has a long history of producing provocative and boundary-pushing cinema, and one filmmaker who has consistently courted controversy is Tinto Brass. With a career spanning over five decades, Brass has established himself as a master of erotic drama, and his 2000 film "Trasgredire" (also known as "Cheeky" or simply "Tinto Brass 2000 Tras") is a prime example of his bold and unapologetic style.
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At first glance, the title appears straightforward, but Tinto Brass utilizes a clever linguistic double entendre embedded directly into the Italian text. : The full verb translates to "to transgress." His camera is inseparable from his renowned "fetish
Massimo Di Venanzo, a longtime Brass collaborator, bathes every scene in warm amber and saturated reds. Mirrors, keyholes, and Venetian blinds fragment the body, inviting the viewer to become a voyeur alongside the protagonist.
La trasgressione in Trasgredire è anche una forma di ribellione colorata e pop contro il perbenismo. Il Ruolo di Yuliya Mayarchuk
As expected with a Tinto Brass film, the cinematography focuses heavily on the female body, particularly the rear, with frequent, lingering shots that define his voyeuristic style. Critics and fans alike often describe the film as "Monella 2," pointing to the thematic and visual similarities to his 1998 hit Monella . 3. Production and Reception Tinto Brass Release Year: 2000
The word "trasgredire" is Italian for "to transgress," a concept that lies at the very heart of the film's narrative, while the English title, "Cheeky," playfully alludes to the body part that director Tinto Brass famously fetishized throughout his career. Put together, the phrase perfectly captures the film's dual identity: an Italian-born, internationally-distributed sex comedy that proudly flouts convention.