Tracy Anderson Metamorphosis Hipcentric Day 11-20 100%

A standard exercise mat (Tracy Anderson often recommends her specific Method Mat ). Hand Weights: One set of 3 lb weights .

That is because the . But do not let this fool you into skipping ahead. The repetition is a feature, not a flaw. It serves as a consistent metabolic warm-up, setting your baseline heart rate while allowing your brain to settle into the rhythm before the chaos begins.

You might feel bloated, your hips might temporarily look wider (this is localized inflammation/muscle swelling from the new movements), and you may feel mentally exhausted by the repetition.

You may notice one hip feels tighter or weaker than the other. This imbalance is normal. Focus on keeping your alignment straight during your weaker side. tracy anderson metamorphosis hipcentric day 11-20

: Typically requires a mat and light hand weights (no heavier than 3 pounds). Workout Focus: Days 11–20 (Level 2)

Days 16–20 mark a psychological turning point. The frustration of the first week (e.g., “Why am I not sweating? Why do my hips feel looser but not stronger?”) gives way to a meditative focus. Anderson’s repetitive, low-weight, high-repetition format forces a kind of moving mindfulness. There is no room for ego; a five-pound ankle weight feels like twenty when the lever arm is long and the range of motion is two inches.

According to Tracy Anderson, the hips are the foundation of the body, and strengthening them can lead to a more toned and lean physique. Hip-Centric exercises help to: A standard exercise mat (Tracy Anderson often recommends

Data from a user with a heart rate monitor shows that doing Transform 1-10 immediately followed by 11-20 (likely because she combined them) resulted in a burn of roughly 200 calories over a 60-minute span, with an average heart rate of 114 and a peak of 145. This indicates that while the workout is challenging for the stabilizer muscles, it lives in the "fat-burning zone" rather than a high-intensity HIIT spike.

As part of the 30-day Metamorphosis program created by Tracy Anderson, days 11-20 focus on Hip-Centric exercises. These workouts aim to transform the body by targeting the hips, glutes, and core muscles.

One of the key principles of the Metamorphosis program is the concept of "muscle re-patterning." This refers to the process of re-educating the muscles to work together more efficiently, and to fire in a more balanced and harmonious way. During days 11-20 of the Hipcentric program, this process is accelerated through the use of more dynamic and multi-planar movements. For example, exercises such as the " Hipcentric Lunge" and the "Glute Bridge with Leg Lift" require the muscles to work together in a more integrated way, engaging the hips, glutes, and lower back in a more functional and efficient manner. But do not let this fool you into skipping ahead

Because the angles are deeper and involve more rotational movement, the burn will feel less like a surface muscle ache and more like a deep, internal heat in the hip joint.

But now, you are entering a new frontier. Days 11 through 20 of the Hipcentric series are widely considered the "make or break" point in the 90-day Metamorphosis journey. This is where the nervous system adapts, the muscle confusion peaks, and the visual results—specifically in the saddlebag area, outer thighs, and glute-hamstring tie-in—begin to manifest.

While Level 1 focused on waking up the whole body, This level shifts the tension from the outer hips to a broader total-core and lower-body integration. Specifically, this block is heavy on:

How to play Aim training game

This aim game is very simple: hit as many targets as you can until time is up! But hurry, targets are shrinking and disappearing. Every time you missclick or let target to shrink away, you lose points.

The targets are customizable: you can change the size of the targets or their decreasing speed. You can also add red bonus targets that will earn you extra points.

Point system in this game:

The history of results is located under the game.

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