Collaboration has always been a cornerstone of the duo's release strategy. They frequently used collaborative EPs to bridge the gap between their independent world and other underground subcultures.
1. The Early Years & The "Kill Yourself" Sagas (2014–2016)
From the DIY ethos of their SoundCloud beginnings to the polished production of their major-label releases, $UICIDEBOY$ have remained fiercely independent and unwaveringly authentic. Their discography is a testament to their artistic growth, their resilience in the face of personal struggles, and their deep connection to their fanbase. Whether you’re a longtime fan or a newcomer, exploring their vast catalog offers a unique glimpse into the minds of two of the most compelling and influential artists of their generation.
—have built one of the most prolific and dedicated cult followings in modern hip-hop. With a massive discography that spans dozens of EPs, mixtapes, and chart-topping studio albums, their music serves as a raw "time capsule" of their battles with addiction and depression. Suicideboys Discography
[2014-2015: Early Sagas & Mixtapes] ➔ [2016: "Paris" & Breakthrough EPs] ➔ [2017: Sagas XI-XX] The Kill Yourself Sagas
The Ultimate Guide to the $uicideboy$ Discography: A Underground Revolution
$uicideboy$ turned their trauma into a subscription service. While mainstream rap chased luxury, they chased the dragon—and eventually, sobriety. Their discography is bloated by design, chaotic by necessity, and brilliant because it never pretended to be anything other than two cousins from New Orleans screaming into the void. Collaboration has always been a cornerstone of the
The is one of the most prolific, influential, and unique bodies of work in modern underground hip-hop. Formed in New Orleans, Louisiana, in 2014, the duo consisting of cousins Aristos Petrou (Ruby da Cherry) and Ar his Arceneaux ($crim) built an empire from the ground up. Bound by a pact to either succeed in music or end their lives by age 30, they channeled raw suffering, severe addiction, and existential dread into a hyper-independent subgenre of punk-rap, emo-rap, and horrorcore glitch-trap.
Before the platinum plaques, $uicideboy$ communicated exclusively through a series of EPs on SoundCloud. Their foundational work is the Kill Yourself (often abbreviated KYS ) series. These 20-track mixtapes (each roughly 15-20 minutes long) were released at a breakneck pace.
A shorter project that bridged the gap between their mixtape roots and studio polish. I Want to Die in New Orleans (2018): The Early Years & The "Kill Yourself" Sagas
After years of exclusively dropping mixtapes and EPs, $uicideboy$ made their official foray into the full-length LP arena in 2018. These studio albums represent the most distilled and accessible entry points to their discography, showcasing their growth from underground cult figures to mainstream chart-toppers.
The following year, the Suicideboys released (2016), a mixtape that featured a more refined production style and lyrics that explored themes of depression, relationships, and street life. The tape was a critical and commercial success, cementing the duo's reputation as one of the most exciting new acts in underground hip-hop.