Nadine Gordimer Summary — Six Feet Of The Country By
The routine of the farm is shattered one evening when Petrus, the farm’s head black laborer, informs the couple that his brother has fallen ill. By the time the narrator and Lerice intervene, the brother—who had traveled illegally from Rhodesia (now Zimbabwe) to find work—has died of pneumonia. Because the brother was undocumented, his presence on the farm was illegal under South African law. Bureaucracy and Degradation
The narrator’s belief that the farm is a sanctuary from racial tension is shown to be a dangerous fantasy. The story powerfully argues that under a totalitarian system, there is no refuge. The corrupt political system eventually "catches up" with everyone, even those who try to opt out. The farm is not separate from Johannesburg; it is simply a different part of the same oppressive country.
The funeral is held on the farm, attended by the local black community who dress in their finest clothes to show respect. However, during the procession, the workers notice that the coffin is far too light.
To fully grasp the story's nuances, one must understand the oppressive machinery of , officially instituted by the National Party in 1948. This system of legalized racial segregation stripped the Black majority of fundamental human rights, confining them to "homelands" (Bantustans), restricting their movement through stringent pass laws, and reserving the best land, jobs, and social privileges for the white minority. The pass laws, in particular, required Black South Africans to carry a "passbook" at all times, and being in a prescribed "white area" without proper documentation was a criminal offense, often leading to arrest, imprisonment, and forced labor. Gordimer's story depicts this brutal reality not through grand political pronouncements, but through the intimate scale of a single, tragic incident.
The story also explores the theme of identity and belonging. The Nxumalos, as rural Africans, are caught between their traditional culture and the modern urban world. Their quest for a decent burial for their daughter becomes a symbol of their struggle to assert their dignity and humanity in the face of societal and cultural change. six feet of the country by nadine gordimer summary
The story is structured around a simple, linear quest: get the body back for burial. This straightforward plot serves to highlight the absurdity of the system. Each step of the quest, which should be simple, becomes a Kafkaesque ordeal of fees, paperwork, and bureaucratic indifference. The climax is not a violent confrontation but the quiet, horrifying image of a coffin breaking open to reveal a stranger's face. This anticlimactic resolution is the point: the system doesn't produce grand tragedies, but a mundane, grinding, and deeply insulting waste of life and dignity.
The title refers to the basic human desire for a burial—a final, sacred space that affirms a person's existence. The authorities not only fail to provide this but actively thwart the family's efforts. The "six feet of the country" symbolizes the fundamental dignity of having a place in the world, both in life and in death. The state's refusal to grant even this minimal claim is the ultimate expression of its contempt for Black humanity.
After weeks of waiting and paying the fee, a coffin is delivered to the farm. The local community gathers for a solemn, respectful funeral. However, during the service, the narrator and Lerice notice a strange, pungent odor. They realize the body is heavily decomposed.
The narrative is quiet and domestic, which makes the underlying horror of the situation more impactful. The routine of the farm is shattered one
The story is told from the first-person perspective of an unnamed white luxury travel agent from Johannesburg. To save his strained marriage to his wife, Lerice, the couple buys a small, seven-acre hobby farm outside the city. While they romanticise the rural lifestyle, the actual labor is performed by a team of Black migrant workers led by an enterprising foreman named Petrus. A Sudden Death
Black South Africans were forced to carry identity documents ("passes") that dictated where they could live, work, and travel. The narrator's fear of housing Petrus’s brother stems directly from these draconian influx control laws.
Nadine Gordimer’s "Six Feet of the Country" is a devastating indictment of a society built on racial inequality. By focusing on the theft of a body and a stolen burial, Gordimer illustrates that apartheid's cruelty was not just political, but spiritual. The story remains a timeless exploration of privilege, the blindness of the oppressor, and the enduring struggle for human dignity in the face of systemic injustice.
The narrator's wife. Unlike her husband, she possesses genuine empathy for the farm workers. She engages with the daily realities of the farm and pushes her husband to intervene. However, her privilege ultimately limits her ability to change the systemic oppression around her. Bureaucracy and Degradation The narrator’s belief that the
: These are not individuals with personalities but a faceless bureaucracy, a manifestation of the apartheid state's cold indifference. They "grin at me with a mixture of scorn and delight at my stupidity". They see the dead Black man not as a person, but as a "case" or an "item" to be processed and charged for. Their incompetence is not accidental; it is a product of a system that values white lives and devalues Black ones to the point where a simple mistake is of no consequence.
The narrator ultimately abandons the fight. He reflects that the entire ordeal was "a complete waste," noting bitterly that the only one who didn't lose money was the undertaker. He continues to pass on empty assurances to Petrus, but both of them know the truth: they will never get the brother's body back. The young man, who had no legal identity in the country while alive, is denied even "six feet of the country" in death, disappearing into an anonymous grave, a number on a file that belongs to someone else. The story ends not with a dramatic resolution, but with a quiet, devastating resignation to the absurd injustice of the system.
The narrator tries to rectify the mistake, but he is met with bureaucratic indifference from the white authorities. They inform him that tracking down the correct body is impossible. The £20 cannot be refunded.
. The narrative highlights themes of dehumanization and white privilege as a farmworker’s family struggles to retrieve the body of a relative, only to be failed by the state's indifferent system SuperSummary . For a comprehensive overview, read the SuperSummary guide
