And then there’s the new character: a drunk, disgraced screenwriter who claims to have overheard Georgekutty’s real story. He wants to turn it into a film. Georgekutty, the cinema obsessive, is forced to watch his own life become a plot—the ultimate ironic horror.
It misdirects the audience into thinking Georgekutty has grown complacent.
The Malayalam film (2021), written and directed by Jeethu Joseph , is widely regarded as a rare and exceptionally successful sequel that lives up to its iconic predecessor . It picks up six years after the events of the first film, exploring the psychological toll of the past on Georgekutty’s family while introducing a complex new investigation. Critical Consensus & Key Highlights Malayalam Movie Drishyam 2
The beauty of the climax is that it does not rely on physical action, high-speed chases, or explosive confrontations. It is a battle of intellects played out through legal documents, forensic reports, and systemic vulnerabilities. It relies entirely on the premise established in the first film: Georgekutty is an ordinary man with an extraordinary capacity to observe, learn, and implement. 4. Performances: The Anchor of Excellence
: The investigation into the disappearance of Varun Prabhakar (the son of the Inspector General of Police) is reopened when a mysterious witness emerges, claiming to have seen Georgekutty leaving the local police station on the night of the crime, holding a shovel. This new testimony gives IG Geetha Prabhakar (Asha Sharath), Varun's vengeful mother, the ammunition she needs to apply immense pressure on the police force to solve the case. And then there’s the new character: a drunk,
Just when the police believe they have trapped Georgekutty in an airtight legal corner, the film shifts into high gear, revealing that Georgekutty had anticipated this day for six long years. A Masterclass in Slow-Burn Screenwriting
: The film was written and directed by Jeethu Joseph , who developed the script during the COVID-19 pandemic. It misdirects the audience into thinking Georgekutty has
A thriller is only as good as its lead, and Mohanlal delivers a masterclass in underplayed acting. As Georgekutty, his eyes convey a mountain of secrets, anxiety, and unyielding resolve. He balances the warmth of a protective family man with the chilling calculation of a mastermind. Mohanlal’s performance ensures that even when Georgekutty is manipulating the entire legal system, the audience remains firmly rooted in his corner.
The family has tried to move on, but the memories of that fateful night still haunt them. Vijay, a movie buff, has become increasingly obsessed with true crime documentaries and podcasts, much to the dismay of his family. Aisha, on the other hand, has started a counseling service to help other victims of abuse.
When Drishyam was released in 2013, it revolutionized the thriller genre in India. The story of Georgekutty—a cable TV operator who uses his extensive knowledge of cinema to concoct the perfect alibi and protect his family from a murder charge—became a cultural phenomenon. It was remade in several languages, including Hindi, Tamil, Telugu, Kannada, and even Chinese.
