My Song -2015- -flac 24-192- ((top)): Keith Jarrett -
: The most avant-garde track on the album, filled with high-energy improvisations and frantic, driving rhythms.
⭐⭐⭐⭐⭐ (Essential Audiophile Purchase)
In 2015, the jazz world was treated to a remarkable album from the incomparable Keith Jarrett. "My Song" is a reimagining of a 1977 composition of the same name, which was originally recorded with Jarrett's American Quartet. This new interpretation, released on ECM Records, features Jarrett on piano and bass, accompanied by Charlie Haden on bass, and Jack DeJohnette on drums. The album was recorded in the summer of 2015 at the iconic Abbey Road Studios in London, and it's a testament to Jarrett's innovative spirit and enduring creativity.
A dedicated hi-res audio player or software capable of bit-perfect delivery to bypass system audio mixers.
Critics and fans alike consider My Song the peak of the Jarrett-Garbarek collaborations. It achieves a "state of grace" that transcends genre, making it a must-have for both seasoned audiophiles and those new to Jarrett’s expansive body of work. Keith Jarrett - My Song -2015- -FLAC 24-192-
: Unlike MP3s or AAC files, FLAC is a lossless format. It compresses the file size for easy storage without discarding a single bit of audio data, ensuring you hear exactly what was mastered in the studio.
: A warm, gospel-and-country-infused track that highlights Jarrett's deep roots in American vernacular music.
The file is distributed as . Unlike MP3 or AAC, FLAC is mathematically identical to the source. Compared to WAV, FLAC offers 30-50% compression without losing a single bit of data. This means you get the full 24-192 experience at half the file size. Crucially, FLAC supports metadata—album art, artist, composer, and even cue sheets—making it the ideal archival format. The 2015 FLAC files are properly tagged with composer credits (all Jarrett) and recording date (October 1977).
: Reviewers note that the 2015 hi-res remaster is of "astounding quality," making the nearly 50-year-old recording sound modern and fresh. Soundstage : The most avant-garde track on the album,
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So, does a 2015 24-bit/192kHz FLAC file matter?
The chemistry of the European Quartet was, and remains, a marvel of thoughtful contrast. If Jarrett's American group was a fiery, free-wheeling, avant-garde affair, the European band was its introspective, luminous counterpart. The quartet of Jarrett, saxophonist , bassist Palle Danielsson , and drummer Jon Christensen first appeared on the 1974 album Belonging , but it was My Song , released four years later, that would become their defining statement.
Keith Jarrett's My Song – I Really Shouldn't Be Liking This Album This new interpretation, released on ECM Records, features
Standard CD Audio (16-bit / 44.1 kHz) [■■■■■■■■■■■■■■■■] 96 dB Dynamic Range Studio Master FLAC (24-bit / 192 kHz) [■■■■■■■■■■■■■■■■■■■■■■■■] 144 dB Dynamic Range + Extended Top-End Air
The album moves like a suite of changing seasons, balancing exuberant joy with deep, introspective melancholy. 1. Questia
: The hi-res format allows listeners to "hear into" the recording, providing a sense of being in the studio with the band. Comparison
The title track is one of the most famous melodies Jarrett ever composed. It is deceptively simple, echoing folk traditions and lullabies. Through the 192kHz resolution, Jan Garbarek’s soprano saxophone ceases to sound compressed or harsh. Instead, his breath control is vividly audible, capturing the exact micro-tonal shifts that give the melody its emotional, tear-inducing edge. 3. Tabarka
The 2015 high-resolution release is not just a digital update; it's a sonic preservation of the original session recorded at in Oslo. Engineered by the late Jan Erik Kongshaug , known for his "recording magic," the 24-bit/192kHz files capture the nuanced interplay of the quartet in startling detail.