Gong 2000 Album Laskar ((new)) -

"Laskar" is a significant album in Gong's discography, showcasing the band's ability to evolve and adapt to changing musical landscapes. The album's eclectic sound and poetic themes reflect Daevid Allen's innovative spirit and commitment to exploring new musical frontiers. While not a commercial breakthrough, "Laskar" has developed a loyal following among fans of psychedelic and progressive rock.

A complex fusion track celebrating cross-island cultural ties. Mulut-Mulut Donny Fattah, Ali Akbar Aggressive rhythm section critiquing hypocrisy and gossip. B3 Alam dan Penguasa Ian Antono, Ali Akbar Mid-tempo heavy rock addressing environmental destruction. B4 Polusi Yaya Moektio, Theodore K. S.

(Street Demons) tell tales of the temptations and dangers lurking in the city's neon-lit alleys. The suffocating haze of (Pollution) reflects a world choking on its own progress. 4. The Cultural Bridge

Although it did not reach the same immediate commercial saturation as their first album, Laskar is highly regarded by collectors and fans of 90s Indonesian rock. The tapes have aged well, with fans noting the high-quality recording that still provides a satisfying audio experience today.

Beyond its technical musicality, Laskar is celebrated for its conscious lyricism. Written during Indonesia's strict New Order regime, the band utilized poetic metaphors by lyricist Ali Akbar to bypass state censorship while tackling vital societal issues: gong 2000 album laskar

An ethnic instrumental opening invoking traditional spiritual blessings.

: The album’s standout feature is the integration of Balinese "Gong" sounds and rhythmic structures into a heavy rock framework. This is most evident in the titular track,

A brilliant instrumental-heavy showcase written by Ali Akbar and Yaya Moektio. This track acts as a literal cultural bridge between the musical traditions of Java and Bali.

A track with experimental eco-conscious lyrics tackling urban decay, smoke, and industrialization. "Laskar" is a significant album in Gong's discography,

Released on , Laskar is the second studio album by the Indonesian rock supergroup Gong 2000 . Formed as a more modern, grander alternative to the legendary band God Bless , the group used this album to solidify their signature blend of hard rock and progressive elements . The Sound and Vision of Laskar

Instead of treating the gamelan as a background gimmick, Ian Antono arranged the traditional bronze percussion instruments—like the giying , reyong , gangsa , and kendang —to lock step-for-step with heavy guitar riffs. This resulted in an aggressive, polyrhythmic soundscape that felt both intensely local and globally competitive.

A fast-paced hard rock track focusing on the modern anxieties of a rapidly changing world.

When discussing the giants of Indonesian rock music, the conversation inevitably turns to . Formed as a "supergroup" in the early 1990s, Gong 2000 brought together some of the most influential figures in the scene to create a heavier, more modern sound. Their 1993 album, Laskar , stands as a landmark release, showcasing intense lyrical themes, masterful instrumentation, and a refined hard rock sound that defined an era. B4 Polusi Yaya Moektio, Theodore K

Composer: I Gusti Kompiang Raka A powerful opening that features the gamelan and is a Hindu prayer for safety and well-being, setting a spiritual and epic tone for the journey.

Upon its release via cassette and limited CD pressings in 1993, Laskar cemented Gong 2000's reputation as more than just a temporary God Bless side project. The album successfully married the technical proficiency of progressive rock with mainstream accessibility, selling thousands of physical copies across Indonesia and Malaysia.

: Beyond the title track, the album includes fan favorites like "Kepala Dua" and "Peluru Tanah," which showcase the band's technical prowess and lyrical focus on social themes. Lineup During Laskar The album featured a "dream team" of Indonesian musicians: Ahmad Albar Ian Antono : Lead Guitar Donny Fattah Yaya Moektio Harry Anggoman : Keyboards

Looking back, Gong 2000’s Laskar stands as a monumental achievement in Indonesian rock music. It proved that hard rock could be both powerful and culturally sophisticated, and it created a unique sound that had no equivalent anywhere else in the world. It was a daring fusion of electric energy and ancient tradition, of grittiness and spirituality.