Doe Season By David Michael Kaplan ((top)) Full Text Today

Kaplan uses a close third-person limited point of view, staying almost entirely inside Andy’s consciousness. This allows the reader to feel her confusion, her cold, her fear, and her dawning horror. Key stylistic features:

As the day comes to a close, Andie begins to realize that her feelings towards her father are complex and multifaceted. She feels a deep-seated need for his approval, but at the same time, she's angry with him for being distant and uncommunicative. Doe Season By David Michael Kaplan Full Text

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Kaplan deliberately leaves the answer ambiguous. What is clear, however, is that Andy will never be the same. The “doe season”—both the hunting season and the season of her girlhood—has irrevocably ended. She feels a deep-seated need for his approval,

4.5/5 stars

To understand “Doe Season,” one must move beyond plot summary and into Kaplan’s masterful use of symbol and point of view.

Andy, who prefers the gender-neutral nickname “Andy” over her full name Andrea, accompanies her father, Mac, and two family friends—Charlie and the garrulous, aggressive Art—on a predawn deer hunt in the Pennsylvania woods. Andy is the only child and only female. Throughout the day, she struggles with the cold, the weight of the rifle, and the unspoken pressure to perform masculinity. Art tells a gruesome story about a wounded doe he once killed. Andy later encounters a doe in the woods, finds she cannot shoot it, and then watches as her father kills the animal. As the men gut the doe, Andy runs away, gets lost, and has a traumatic vision of her mother and the ocean—a symbol of her internal female identity. Rescued by her father, she finally rejects her nickname, insisting “My name is Andrea.” The story closes with her crying in the car, realizing she has lost something she cannot name.